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For an album that was written in India and recorded between Kerala, Vancouver, and Montreal, Stained Glass, Rye, and Wax feels precise, consistent, and succinct. The band and recording crew brought their A-game in every sense, delivering one of the most exciting records of the year and in the process reminding us that there’s still a bit of fire in our bellies, if we can be bothered to look for it.

- John Julius, Beatroute Magazine, Graphite Publications

Circus rock- if acrobats needed a soundtrack as they theatrically hurried up ladders and glided through the air, I’d say Stained Glass, Rye and Wax would be a great place to start. The History of Gunpowder rises from Montreal with music that could travel both on a modern stealth bomber or in a horse-drawn carriage…to create something I’ve yet to hear until now.”

- Dave Tone, Bucketlist Reviews

The music on Stained Glass, Rye and Wax... tends to create a cacophony of sound. Yet, from the mayhem, Morison has somehow managed to force a structure on the noise, resulting in music that pushes the boundaries of genre and musical composition.

- Samantha Stevens, The Voice Magazine

There may be a conventional rock-blues number at the heart of “The Ostrich” but it is wrapped up tight in a very peculiar package of jazz, funk, and odd noises.

- Mark Anthony Brennan, Ride the Tempo

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